JACKSON KING

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Places of Ritual is a lighting score that treats domestic space as both subject and site of ceremony. The work documents a traversal of my apartment, in which I pause at specific locations — the shower, the kitchen, my synthesizers — to light tea candles at each site. The score is fully notated on paper; duration, movement, and gesture are all predetermined, placing the work within a tradition of performance scores that treat everyday action as compositional material.

The camera's distance positions the viewer as an uninvited witness. The intimacy of the gesture — private, unhurried, repeated — creates a voyeuristic tension: the feeling of watching a private ritual not meant to be seen. This tension between the domestic and the ceremonial is central to the work. The sites are not chosen arbitrarily; they are locations of habitual, embodied practice, spaces worn into ritual through daily repetition. The candles mark them, making visible a choreography that usually goes unseen.

As light accumulates across the space, the register of the piece quietly shifts. What begins as a portrait of domestic habit starts to take on the quality of vigil — an attendance to place that hovers between devotion and mourning without resolving into either.

The accompanying score was composed and recorded specifically for the piece using analog hardware — Roland TR-8S, Eurorack modular synthesizer, and Eventide H9 for signal processing — creating a sonic world that holds the work's two moods in balance: the familiar and the quietly uncanny.